And (about two hours later) finding my way in to the contours and structures:

Today I am grateful for clearer skies.
“He aha te mea nui o tenei ao? Maku e kii atu, He tangata, he tangata, he tangata!.................... You ask what is the most important thing in this world? I will tell you: It is people, it is people, it is people!”..................... Maori proverb
I am tempted to change the composition and put more emphasis on the lilies, but keeping in mind that this is going to be sitting directly over a flaming fire in the winter that doesn't really appeal. I had intended it being almost monotone like the first one, but somehow it took on a life of its own. The colour will all have to be cut back, with the colour of the bricks being the key factor in the decision making.
Now to focus on the foliage a little, and lighten a section of the background. Then I can get back to the lilies. The goal is to finish this today...
And a check of measurements shows that I have long been painting outside the guidelines. How did I manage to do that? Cropped version above is correct sizing. Will it work in the space? Or are the objects too big? Time for some fresh air.

I really don't want to varnish this until he has seen it, but now it is likely that he wont be here until the new year and I want to get it to him sooner than that. Do I wait, in case I need to change anything? Yes, I guess I do.
I have widened her smile a little and softened her freckles. I know that it is a very good likeness, but have I caught her personality? I was used to her with the deep blue eyes I had painted. I'll have to get to know her all over again before I decide whether or not the work is finished. (I want to change her hair, it became too full on the right hand side in my excitement in the process of painting). She is a teenager, fresh and innocent, and the hair style reflects that.
This one feels better, even if it might not be classical portraiture. It is a teenager with life and energy and a huge warm smile that I am painting. Now to put it aside for a while, if I can.
I suspect it will stay a lot looser and brighter than the first piece for the space. It has to match perfectly a beautiful piece of wood, and blend into a black surround. An interesting challenge to say the least, and I think that it has to be darkish to work.
When all the stalks and leaves are in the composition should sit together cohesively.
Well, before it was finished, the client changed her mind. That's OK, it was only ever a test piece for a rather unusual commission and I hadn't poured too much of myself into it to be disappointed. In fact I think it could look stunning in our entry which is in similar tonings and needs a lift. The chunky, spartan look matches the strength of the structure of this building somehow. I put it aside to work on at my leisure, contemplating another piece to put with it in the foyer. However, today she asked me to finish it, add some green, and bring it back to her. OK... but now that it is heading in a different direction I am not sure about it myself. Let's see how it develops!
...and, some time later in the afternoon, I think it's close to "done". A few things to balance up, a few highlights, and I will be reasonably happy with it. It is not painted in "my usual style" but as the client prefers. I can still see my hand in it well and truly though!





Anyway, I toddled along dutifully and ended up having a thoroughly good time, chatting to old and new friends and even joking in Italian. That has to be progress, right? 

A wooden chest on a wooden floor?